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PostPosted: Thu Apr 26, 2012 10:07 am 
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Official pics:

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PostPosted: Thu Apr 26, 2012 11:49 am 
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Yeah, now I'm excited.

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PostPosted: Thu Apr 26, 2012 12:38 pm 
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Dat sexy DiCaprio.

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PostPosted: Thu Apr 26, 2012 1:30 pm 
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As cool as it is to see these pics, there is one thing I'm curious about that photos can't really capture, and that is how Tarantino tackles the subject matter of slavery. I mean, yes, I've read the script, but reading is one thing, and seeing it actually play out on screen is another. I feel like this is something that he's never had to deal with. Not slavery, but human suffering. In Inglourious Basterds, we saw just a brief glimpse of the horrors of living during WW II, as Landa slaughtered the family at the farm. But beyond that, the Nazis are depicted more or less how they're normally depicted, and the horrors of war and living under the Nazis aren't really explored. That's not the case with Django Unchained. Yes, it's a Tarantino western, and it features the usual badass moments you'd find in a western. And has its funny moments and great dialog. But it also bluntly depicts the horrors of slavery. And not just slaves toiling in the field, or being sold on the auction block (although there's all of that too). I'm talking about how slaves are casually disposed off, and sometimes not so casually disposed of. How some of them are exploited sexually. How some of them are driven as cattle. There's a scene in the script where one character depicts his surrounding as being like something out of Dante's Inferno. It's this kind of stuff I wonder how American audiences will react to? Because this is not just a standard Western. This is also about American history. Ugly American history. And I think anyone just expecting a fun, Tarantino western might be in for a rude awakening. I don't think those who are not familiar with the script realize just how radical this movie could be, how controversial it could be.

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PostPosted: Thu Apr 26, 2012 1:48 pm 
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t3cii wrote:
As cool as it is to see these pics, there is one thing I'm curious about that photos can't really capture, and that is how Tarantino tackles the subject matter of slavery. I mean, yes, I've read the script, but reading is one thing, and seeing it actually play out on screen is another. I feel like this is something that he's never had to deal with. Not slavery, but human suffering. In Inglourious Basterds, we saw just a brief glimpse of the horrors of living during WW II, as Landa slaughtered the family at the farm. But beyond that, the Nazis are depicted more or less how they're normally depicted, and the horrors of war and living under the Nazis aren't really explored. That's not the case with Django Unchained. Yes, it's a Tarantino western, and it features the usual badass moments you'd find in a western. And has its funny moments and great dialog. But it also bluntly depicts the horrors of slavery. And not just slaves toiling in the field, or being sold on the auction block (although there's all of that too). I'm talking about how slaves are casually disposed off, and sometimes not so casually disposed of. How some of them are exploited sexually. How some of them are driven as cattle. There's a scene in the script where one character depicts his surrounding as being like something out of Dante's Inferno. It's this kind of stuff I wonder how American audiences will react to? Because this is not just a standard Western. This is also about American history. Ugly American history. And I think anyone just expecting a fun, Tarantino western might be in for a rude awakening. I don't think those who are not familiar with the script realize just how radical this movie could be, how controversial it could be.


The next "The Help" in our hands :o ?

I trust Tarantino, he has the correct sensibilities to deal with a movie that tackles an issue as large and as powerful as slavery.

Then again, as we all know, his movies haven't always been the most...................politically correct :lol:

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PostPosted: Wed May 09, 2012 10:13 am 
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So apparently Cohen has dropped out of the movie: http://www.cinemapulse.com/news/sacha-baron-cohen-drops-out-of-django-unchained.html

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PostPosted: Wed May 09, 2012 7:33 pm 
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Damn. I wonder who's going to replace him.

*crosses fingers* Simon Pegg, maybe?

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PostPosted: Wed May 09, 2012 8:06 pm 
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Curiosity Inc. wrote:
Damn. I wonder who's going to replace him.

*crosses fingers* Simon Pegg, maybe?


Any particular reason you want Simon Pegg? Supposedly Tarantino wanted Jonah Hill in the role, but Hill wasn't available due to a scheduling conflict. Maybe he'll be free? Still, I'm a bit surprised that Cohen described the role as a cameo, when it's actually a fairly substantial part. He'd be in a pretty significant scene, and would have at least eight or nine minutes of screen time.

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PostPosted: Wed May 09, 2012 8:13 pm 
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t3cii wrote:
Curiosity Inc. wrote:
Damn. I wonder who's going to replace him.

*crosses fingers* Simon Pegg, maybe?


Any particular reason you want Simon Pegg? Supposedly Tarantino wanted Jonah Hill in the role, but Hill wasn't available due to a scheduling conflict. Maybe he'll be free? Still, I'm a bit surprised that Cohen described the role as a cameo, when it's actually a fairly substantial part. He'd be in a pretty significant scene, and would have at least eight or nine minutes of screen time.

Well, considering he's usually in movies completely centered on him acting goofy and occasionally running around naked for 90 minutes of screen time, it's not really a surprise.

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PostPosted: Thu May 10, 2012 12:40 am 
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t3cii wrote:
Curiosity Inc. wrote:
Damn. I wonder who's going to replace him.

*crosses fingers* Simon Pegg, maybe?


Any particular reason you want Simon Pegg?

Tarantino actually wrote a part for Pegg in Inglorious Basterds, but Pegg had to bow out due to scheduling. His part eventually went to Michael Fassbender, and we were all the richer for it.

That said, Pegg and Tarantino both have an amazing sense of humor. More importantly, they both rose to prominence via a "magpie" approach to storytelling, taking bits of miscellaneous pop culture and blending them into something completely new. Shaun of the Dead, Hot Fuzz, Spaced, and Paul were all loving parodies of their respective parts, in much the same way that Pulp Fiction, Kill Bill, and Inglorious Basterds were.

The thought of them working on a project together makes me salivate. It's probably too late in the proceedings for Pegg to make any sizable contribution in that regard, but I'd love to see them collaborate sooner than later.

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PostPosted: Thu May 10, 2012 4:34 am 
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well it really all depends on how busy Pegg is with Star Trek 2,

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PostPosted: Thu May 10, 2012 9:47 am 
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AvatarIII wrote:
well it really all depends on how busy Pegg is with Star Trek 2,


He just wrapped ST2 but he's about to go shoot L.A. Noire's pilot episode for Frank Darabont I believe. Maybe that won't take too long and he could fit it in. I'll cross my fingers heh.

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PostPosted: Thu May 10, 2012 9:56 am 
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ViolentNewCountry wrote:
AvatarIII wrote:
well it really all depends on how busy Pegg is with Star Trek 2,


He just wrapped ST2 but he's about to go shoot L.A. Noire's pilot episode for Frank Darabont I believe. Maybe that won't take too long and he could fit it in. I'll cross my fingers heh.


oh I didn't realise ST2 had wrapped, never mind then.

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PostPosted: Thu May 10, 2012 11:13 am 
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More bad news. Now Kurt Russell is out. What's going on?: http://www.huffingtonpost.com/2012/05/10/django-unchained-kurt-russell-sacha-baron-cohen_n_1505913.html

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PostPosted: Thu May 10, 2012 11:42 am 
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t3cii wrote:


Good riddance, I though "Death Proof" was crap.

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PostPosted: Thu May 10, 2012 12:02 pm 
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ViolentNewCountry wrote:
AvatarIII wrote:
well it really all depends on how busy Pegg is with Star Trek 2,


He just wrapped ST2 but he's about to go shoot L.A. Noire's pilot episode for Frank Darabont I believe. Maybe that won't take too long and he could fit it in. I'll cross my fingers heh.



At first I tought "Darabont making a series based on a game?". Then I asked my good friend Google if such was true, and found it wasn´t. Talk jumoping to conclusions :lol:


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PostPosted: Thu May 10, 2012 12:06 pm 
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RuiBK wrote:
ViolentNewCountry wrote:
AvatarIII wrote:
well it really all depends on how busy Pegg is with Star Trek 2,


He just wrapped ST2 but he's about to go shoot L.A. Noire's pilot episode for Frank Darabont I believe. Maybe that won't take too long and he could fit it in. I'll cross my fingers heh.



At first I tought "Darabont making a series based on a game?". Then I asked my good friend Google if such was true, and found it wasn´t. Talk jumoping to conclusions :lol:


A Darabont-produced series about Cole Phelps would be the most legit thing.

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PostPosted: Thu May 10, 2012 12:09 pm 
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t3cii wrote:


That's a shame. I really dug his work on Death Proof and would've loved for him to do another pic with QT. Maybe one day.

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PostPosted: Thu May 10, 2012 12:40 pm 
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ViolentNewCountry wrote:
A Darabont-produced series about Cole Phelps would be the most legit thing.


t3cii...........you know you have some thoughts about this, share them :lol:

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PostPosted: Thu May 10, 2012 2:18 pm 
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feliciano182 wrote:
ViolentNewCountry wrote:
A Darabont-produced series about Cole Phelps would be the most legit thing.


t3cii...........you know you have some thoughts about this, share them :lol:


Uh...could you refresh my memory?

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